Physically conjoined by separately sold upon construction, the lives of paired buildings (ones that share a common wall) can diverge dramatically as this photo series poignantly illustrates. In various cases, one half is occupied by squatters, filled with trash, burned out by a fire, boarded up, simply deserted or even entirely demolished.
This approach epitomizes a theme common to his work, which frequently focuses on showing change over time. Like twins separated at birth, these dual buildings (once mirror images of each other) are uniquely illustrative of change. They are found particularly often in Camden, a place with a long history of struggling against decline.
Camilo José Vergara is simply one of the greatest ever. Period. No need to debate.
This can be interpreted in a good or bad way
i saw this at his art gallery and that shit was tight.
Departure of the Witches, 1878 by Luis Ricardo Falero.
This year is the 20th anniversary of the UK’s Criminal Justice and Public Order Act 1994, the legislation that effectively banned raves and sent the whole British scene into the expensive confines of legitimate clubs and venues. To mark the occasion, photographer Tom Hunter is exhibiting his series Le Crowbar—a documentation of his time traveling through Europe in the mid-90s in a convoy of converted coaches, ambulances, and buses, setting up raves and impromptu festivals. See it at the "Life on the Road" exhibition at LCC in London’s Elephant and Castle.
After relocating from Dorset to London at the age of 15 and spending some time as a tree pruner in the Royal Parks of London, Tom Hunter bought a year-long ticket to America. It was on this trip that he began taking photos, but unfortunately, as he told me, “I came back and [none of the pictures] turned out. The lens must have been broken or something.”
Nevertheless, it was then that he decided he wanted to be a photographer—so, in 1991, he enrolled at what was then the London College of Printing. During his time at college, Tom got involved in the squatting scene in Ellingfort Road, Hackney—a thriving community of travelers, converted vans, and derelict buildings that later became the central topic of his 1994 graduation show.